Sunday, April 10, 2011

Thank You for attending


Thanks to all who attened my first ever solo show, Family Matters, at David Castillo Gallery! It will be up till May 7th incase you would like to check it out!




It felt like a birthday.







Show press:







Here are some links to show images:
Los Simpones

We As Me video

Girl watching WE AS ME

Kayla and Susan in the LAWN PERFORMANCE

Nancy and Lori in the LIVING ROOM PERFORMANCE


Here are some links to the videos that were included in the show:

I Am Your Grandma

Giving Birth To Myself

We As Me (in 3-D)

Monday, April 4, 2011

Borscht Film Festival/ New Project$ & Neat Thing$/ Uncle Luke/ Strange Grandparents/ Fabric Workshop/

Yay!!!!!!!!!
Here is a still from my new video, debuting at the Family Matters at show on Saturday!
Entitled, I Am Your Grandma, which is a gift to my unborn grandchild. Thank you WildChild World for your costumes and talent that blows minds on the daily.


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I am honored to get a short film commission from Borscht!!!!!

Here is some press on the festival:

Miami Art Zine

Here is a still from my Borscht Film Festival commission.




Luther Campbell (Uncle Luke) from 2Live Crew shines brightly in this new and werid art film extravanga.

Read about it:


MIAMI NEW TIMES


MIAMI NICE


THE HEAT LIGHTNING

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To make this year even better, Carlos Rigau's Kissing, Fighting, Dancing travels from the de la Cruz Collection Contemporary Art Space to Fabric Workshop and Museum in Philly. This is my second video to ever play in Philly!!! Man, I miss it over there! Sesion 31!!!!! Check out this amazing free podcast of my talented friend, Dj Skeme Richards if you love PA too!

David Castillo Gallery presents Jillian Mayer's Family Matters, Reception Saturday, April 9, 6-9 pm

Here is the press release for my upcoming show! So excited!! Hope you can make it!


David Castillo Presents

Jillian Mayer
Family Matters


April 9 - May 7, 2011
Reception Saturday, April 9, 6-9 pm

David Castillo Gallery is proud to present Jillian Mayer's solo exhibition Family Matters. Adopting a varied command of performance, sculpture, video, and drawing, Mayer's work is a hybrid of media culture.

The artist forays into the pseudo-science of young adulthood, the chemistry of love and relationships, and the tipping point of paradox with all the saturation of 1980s Saturday morning television. While the intuition of Penny from Inspector Gadget or the cleverness of Gadget from Rescue Rangers defeated a villain each week, Mayer's work reads as excerpted frames from nonlinear narratives. Unlike scripted television, Mayer guarantees no resolution, and the viewer is left pondering long past thirty minutes.

Mayer's protagonists are young people and anthropomorphic animals searching for a lodestar in an age when the glow of personal laptops and urban neon renders the night sky unreadable. In the perpetual dawn or dusk of our technological, virtual, intrapersonal, and experienced realities, Mayer identifies both imagination and captivity, rudimentariness and neo-futurism, popular entertainment and moral critique of which Beatrix Potter would approve. The Tale of Peter Rabbit is as inwardly complex and tragicomic as the cartoons, and later sitcoms, that provided stability through Mayer's nomadic upbringing.

In Getting to know you, an ongoing series that exists as performance, sculpture, and photographs, participants position themselves inside cut-out board scenes reminiscent of amusement park photo ops. The adopted milieu is often a disconcerting domestic realm with an air of passivity despite the contortion of the participant's body. Participants flop like mute ventriloquist dolls caught between two worlds-- literally part of Mayer's object narrative-- Peter Rabbit and Roger Rabbit-- a tourist in their own time.

Mayer's video work also explores disturbance within calmness, perversity within cuteness, and perniciousness within sentimentality. Inspired by her own teacup Chihuahua, Mayer uses the relationship between humans and domesticated animals to comment on the nuclear family, gender roles, dominant and submissive relationships, and the trope of heterosexual love. Her work is a contemporary incarnation of Potter's Museum of Curiosities, that barometer of Victorian culture that used sweet but stuffed rabbits, kittens, and guinea pigs to portray elaborate scenes of daily life.

The artist's nationality is youth and her conflict is one between personal identity and contemporary displacement. The seemingly passive act of watching television or staging participants in a performance of inaction for Getting to know you, is as Rush famously sings: "If you choose not to decide, you still have made a choice."

Jillian Mayer was born in Miami, FL and received her BFA from Florida International University in 2007. She has participated in exhibitions in the US and Europe. In 2010, the artist's work was one of the 25 selections for the Guggenheim's Youtube Play: A Biennial of Creative Video. As part of the Guggenheim's Creative Video Biennial, the artist's work was exhibited at Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin, Germany. Upcoming for the artist are the group show Fighting, Kissing, Dancing, curated by Carlos Rigau, at the Fabric Workshop and Museum, Philadelphia, opens May 2011, and a solo project in December 2011, Fanimaltastic at the de la Cruz Collection Contemporary Art Space, Miami.



Gallery Hours
Tuesday - Saturday, 10 am - 5pm and by appointment


David Castillo Gallery
info@davidcastillogallery.com
+1 305 573 8110 Telephone
http://www.davidcastillogallery.com
2234 NW 2nd Avenue
Miami, Florida 33127
United States